Tag Archives: nikon fe2

Film Drop: B&W, Kodak Tmax 400, Ilford Delta 3200, Ilford hp5

I broke my collarbone skateboarding last weekend and since then I’ve been digging through the archives a bit. I can’t do anything active or get a camera up to my eye yet, so there’s not too much else to do. Here are a few B&W rolls I dug out from the past few months.

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

BLOG: BW FILM DROP

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Film drop: Ilford hp5 400, fp4 125, delta 3200+kodak tmax 400

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Filed under 35mm, Uncategorized

Film Drop: Kodak Portra 120 +400nc

I shot some color film while down in Busan. I’ve been on a monochrome kick lately and haven’t been able to find a place to collect these images. I thought I would post them here. I really love the tones on the portra, especially at the seashore. As an after-note I have some Superia from the ultra wide and slim that I’ll post after.
blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

And the Superia from the UWS

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

blog: film drop- color

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Filed under 35mm, Film, nikon fe2

Week #4- April, 27th, 2010- Nightime is the right time

Week #4- April, 27th, 2010- Nightime is the right time

The winter has finally thawed out and everyone is back out in the streets again. It’s been good to get together with friends and rekindle old habits (all day wanders across Seoul ending in all night carousing).

Last week (or was it the week before, oh both) I had a great day street shooting with friends followed by a night out in Hongdae. This is Lhasa, a fucking rad outfit from down in Busan. I originally met these guys at a party at agit art space down in B-town, and had the chance to see them later in Seoul.
lhasa.bandcamp.com/album/-

I had picked some 3200 Ilford months ago and was waiting for some nocturnal adventures to use it. I’m really pleased with the results.

nikon fe2
nikkor 24mm
Ilford delta 3200

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Filed under 52 weeks in seoul, Film, nikon fe2

#29

Instruction #29
#29

“Find an ambiguity that lies just below the surface.” – Jesse Marlow
streetphotographynowproject

nikon fe2
nikkor 24mm
ilford hp5 125

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Filed under 35mm, street photography

monochrome is good for you

Is shooting black and white kinda the equivalent if “eating your vegetables” for photographers? And is doing it on film different from converting a raw file that doesn’t work in color over to the dark side? These are things I’ve been wondering as I shot through a few black and white rolls over the last few weeks.

I was always reluctant to shoot BW as I thought color kind of my shtick, and justified my aversion with the expense, inconvenience and ability to convert any color film to BW in Photoshop. The last BW film I shot was when traveling Europe five years ago. After relocating to a new apartment a little further from my favorite photo labs I started to consider doing some of my own development, and as BW is a much simpler affair than color I thought I should shoot it a bit more. That and some recent work by a good friend inspired me to load in more of the stuff.

I’ve enjoyed my few weeks sans color. And have found myself focusing more on composition and varied tones of light. Shooting in BW from that start (not converting later) is making me look in a new way, to see photos where I might not have before. It’s a stripped down process, and I find myself focusing more on the essentials of the frame. Here are some outtakes.

Kodak TMAX 100, KODAK TMAX 400, ILFORD HP5 400

KICK BACKs

Dongdaemun fabric market, Tmax 100

SYMMETRY

Gwangjang food alley, Tmax 100

RAG AND BONE SHOP

seoul flea market, Tmax 100

Dongmyo backstreets

dongmyo backstreet, tmax 100

monochrome blog

hospital and orchid, Ilford 400

monochrome blog

cafe killing time, Ilford 400

monochrome blog

bundang, Tmax 400

monochrome blog

bundang, Tmax 400

monochrome blog

subway, Tmax 400

monochrome blog

carting around, Ilford 400 and Tmax 400

monochrome blog

waiting, Tmax 400

monochrome blog

Tmax 100

monochrome blog

junk for life, dongmyo, Tmax 100

monochrome blog

Ilford 400

monochrome blog

monochrome blog

Tmax 400

monochrome blog

Apartment, Tmax 400

monochrome blog

monochrome blog

lauren, Ilford 400

monochrome blog

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Filed under 35mm, nikon fe2, street photography

#26

Instruction #26…”If you’re not sure it’s a picture, shoot it anyway” – Carolyn Drake

KICK BACK- Instruction #26

nikon fe2
nikkor 24mm
kodak tmax 100

streetphotographynowproject.wordpress.com

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Filed under black and white, instruction project, nikon fe2, street photography